SENNHEISER EW 500 BOOM G4

O Sennheiser EW 500 BOOM G4 é um sistema de microfone plug-on sem fio para montagem em câmera que traz recursos avançados para a Série EW, expandindo este sistema padrão da indústria em uma solução totalmente profissional, mas econômica, que cineastas, videomakers e jornalistas podem confiar, mesmo em ambientes de filmagem desafiadores, como grandes cidades.

O robusto EW 500 BOOM G4 combina uma ampla largura de banda de 88 MHz com 3520 frequências e um nível de saída de RF de até 50 mW para uma transmissão limpa e som com qualidade de transmissão. Dependendo da sua localização, você pode operar até 32 microfones em um espaço. O transmissor plug-on é conectado a um microfone de mão de sua escolha para entrevistas com pessoas na rua ou a um microfone shotgun para expansão sem fio (ambos os tipos de microfones estão disponíveis separadamente). Ele também fornece alimentação fantasma de 48 V, oferecendo a opção de usar um microfone condensador.

The camera-mount receiver connects to a camcorder, a DSLR/mirrorless, or a cinema camera to capture crisp-sounding speech or dialog for projects ranging from films and documentaries to wedding videos, corporate spots, and mobile journalism.

The EW 500 BOOM G4 is backward-compatible with previous evolution systems, including EW 100 models, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters.

Built for Reliable Performance in the Field

The EW 500 BOOM G4 features rugged, all-metal chassis well suited for extended use on location.

The lightweight plug-on transmitter attaches to any dynamic or condenser microphone equipped with an XLR connector. A locking ring ensures that your mic doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic.

Using the included shoemount adapter, the compact receiver easily mounts on your camera without adding much weight. The included CL 500 cable provides a balanced connection from the receiver to the XLR audio input of your camcorder, cinema camera, or recording device. The CL 1 cable is for DSLR/mirrorless cameras and devices with 3.5mm inputs. A headphone output lets you monitor the quality of your sound while recording.

Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level.

Advanced Controls for Flexible Use

The frequency scan function automatically searches for the cleanest frequency at your location.To get you going quickly, the transmitter and receiver synchronize via infrared interface with the simple push of a button.

10/30/50 mW switchable RF output helps overcome interference or save battery life.

The adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.

The receiver has an adjustable output range of 42 dB to match the audio input of your camera or recording device.

Proven Broadcast-Quality Sound

To take full advantage of your microphone’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission—delivering audio with remarkable accuracy and quality.

Additional Features

Adaptive-diversity reception for reliable transmission up to 330'

20 frequency banks, each with up to 32 factory-preset channels to prevent intermodulation

Pilot tone squelch for eliminating RF noise when transmitter is turned off

User-friendly menu operation with flexible control options

Transmitter and receiver feature 4-step battery-life indicator

Auto-Lock function avoids accidental changing of settings

RF Mute function

8 hours of battery life

Powered via AA batteries or rechargeable BA 2015 Accupack battery (available separately)

Side contacts on the receiver for recharging the Accupack without removing it from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately)

Unlike digital wireless systems, the SKP 500 G4 transmitter can transmit to an unlimited number of EW series receivers

Wide range of accessories adapts the system to a variety of applications

EW 100 G4 vs EW 500 G4 Systems at a Glance

Bandwidth: Up to 46 MHz vs up to 88 MHz

UHF Frequencies: 1680 vs up to 3520

RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW

Mics at Once: Up to 12 mics vs up to 32 mics

Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni

Headphone Output: No vs yes

Audio Output: Unbalanced vs balanced

Plug-on Transmitter: No phantom vs +48V phantom power